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V I R G I N I N T H E G Y M
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| Wendy Perriams fifteen novels have been acclaimed for their psychological insight and their power to disturb, amuse and shock. Expelled from her convent boarding school for heresy, she read History at Oxford and also trod the boards. After a stint in advertising and a variety of more offbeat jobs, ranging from artists model to carnation disbudder, she now divides her time between writing and teaching. Her first short-story collection, Dreams, Demons and Desire, was praised as a long-awaited treat - exciting and enchanting. |
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WENDY PERRIAM TALKS ABOUT VIRGIN IN THE GYM AND OTHER STORIES
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| As with my first short story collection, Dreams, Demons and Desire, I found these stories wonderfully liberating to write. Instead of the constraining and complex structure of a novel, I could use a tiny incident as a springboard and see where it took me sometimes surprising myself in the process For example, a Let Me Guess Your Age booth near Bournemouth pier catapulted me into a story about a 93-year-old escapee from a geriatric nursing home, still hoping for romance! And a market researchers innocent question, Are you a dog-owner, Madam?, led me into the dark waters of a dog-hating, daughter-neglecting father. Other stories in this collection sprang from sources as diverse as a psychics advert in the local paper to a self-important budgie in a cage. And often these random occurrences would trigger my underlying obsessions as a writer the conflict between duty and hedonism and between submission and murderous rage; the strange secrets of the bedroom; the sometimes perilously inadequate communication between friends, partners or spouses. Some of the stories are based on incidents in my own life. Life Class, for example, draws on my long-ago experience of being a life model for an artist. At the time, he was working on the portrait of an eminent Bishop, and while I sprawled naked on a velvet-covered couch, the shocked eyes of the painted Man of God glared at me from the easel. Another story, Mantra, resulted from an encounter with a New Age masseur who, while pummelling (punishing) my spine, enthused to me in Sanskrit about the wonders of Tibet. The woman in the story is actually encouraged to travel to Tibet herself. But I have to confess that far from following her example, Im more akin to the character in Hols so full of fears that shes forced to journey only in her mind. A strong influence on my recent writing was the six weeks I spent as a patient in a geriatric nursing home, following a botched operation the starting point for my latest novel, Tread Softly. That extraordinary period living as a comparatively young intruder in a community of octogenarians and nonagenarians seems to have affected me deeply, and led me to create several doughty 90-year-olds in my new short-story collection. The elderly, I feel, have had a raw deal in fiction, being either ignored or depicted as dopey dodderers. Those in my stories are rebels and goers. At the other extreme, Im also interested in writing about childhood, whether happy, as in Best Friends, threatened, as in The Eighth Wonder of the World, or traumatic, as in Sweeties. Yet even when I was describing a childs trauma or a friends betrayal, I still felt a sense of pleasure in having been released from my novelists straitjacket and given permission to roam free. |
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Reviews of Virgin in the Gym
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| WENDY PERRIAM must be one of the most underrated writers in the country. You never see her riding high in the best-seller lists or walking off with literary prizes. But in an oeuvre of nearly 20 books, she has proved a consistently sharp chronicler of modern Britain. She is also an extremely entertaining storyteller. The 20-odd tales that make up Virgin in the Gym are as crisply delivered as they are elegantly structured. The best of the stories are models of the form, bringing humdrum lives into brilliant focus as events take an unexpected twist. The possibility of redemption runs through the book like a thread of good-class tweed. Nobody is too old to learn new tricks; indeed, some of the most touching stories feature people in the twilight of their years being granted a miraculous epiphany. In William, a woman of 93 gets a new lease of life when stopped in the street by a man doing a dog-food survey. She is so flattered by the attention that she pretends to be the owner of a golden retriever. In Away-Day, a trip to the seaside is transformed when an octogenarian visits a guess-your-age booth. Life also takes a turn for the better for many of the younger characters. An embittered divorcee is the beneficiary of an embarrassing misunderstanding in a hotel room. A widow visits an apparently fraudulent clairvoyant and gets a pleasant surprise in the upstairs bathroom. A nude model realises that, far from being exploited, she is the centre of artistic attention. The child of a broken home disgraces herself, then finds herself, on a botany field-trip. If the overall mood of the book is upbeat, Perriam does not dole out happy endings indiscriminately. One of the most effective stories is Heart to Heart, a black comedy about a woman responding to a lonely-hearts ad in a newspaper. Not only does Sensitive and Lonely Gentleman turn out to be scruffy, paunchy and unemployed: he is an out-and-out infantilist, still traumatised by the death of his mother when he was three; his idea of a hot date is having a woman put him in nappies and burp him. As so often with Perriam and this is a large part of her appeal you do not know whether to laugh or cry. Sunday Telegraph |
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CRITICAL ACC
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| Wendy Perriam is an author of whom one becomes progressively more fond, and it is nice to see that her critical reputation is growing. These 21 short stories confirm her as both clever and funny, as well as being a skilled artist with something to say about life. If these stories have a common theme, it is that of transformation, the way we can redeem our lives by seeing them as part of another narrative. Of course, this also works in another direction too. Sometimes the only way to transform our lives is to jump off a high building. But even suicide is in its way positive, an alternative to living death. For the most part, Perriam’s characters live in drab worlds, but she offers them all the possibility of escape, even if it is sometimes the escape into madness. The redemptive streak to her writing may have something to do with her Catholic upbringing. The author’s blurb tells us that she was expelled from her convent school for heresy: one would like to know what heresy. But whatever her beliefs, this book shows her to be essentially kind hearted, even when writing about murder, selfishness and death. This is an author who has learned how to face the world and tame the horrors of life: we should be grateful for her optimism it is infectious. Perriam is such a good writer, and this collection of short stories will offer a useful way in to her longer fiction for the uninitiated. The Tablet |
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CRITICAL ACC
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In this intriguing collection of short stories, Wendy Perriam gives a sharp insight into the private and often screwed-up lives of a host of quirky women, revealing fantasies that should remain secret and exposing every foible. Plunging readers immediately into a world that every woman can identify with on some level, Perriam is both witty and wicked. Her cutting observations bring into sharp relief the fears, insecurities and passions of her oddball characters and while every tale is tinged with sadness, there are moments of triumph and enlightenment. |
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CRITICAL ACC
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In her 15 novels, Wendy Perriam usually manages to shock, disturb and even make you laugh aloud at times, but it is in this, her second short-story collection, that she should prove to even her strongest critics why she continues to be one of the most talented and sadly, too often unappreciated, writers of her generation. |
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CRITICAL ACC
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The boundary between imagination and everyday reality may be flexible and porous, but most of us, most of the time, work on the assumption that a boundary exists and we succeed in defining it in a way that allows us to get on with our lives. What happens though if, under life’s stresses and exigencies, we can no longer distinguish boundaries: if short story becomes reality? This is the question Wendy Perriam explores so perceptively in Virgin in the Gym and Other Stories. |
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© Wendy Perriam 1998 - 2008 |
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